Five Quarters of the Orange / Пять четвертинок апельсина - стр. 10
“Visitors to Angers in search of authentic gourmet cuisine may head for the prestigious Aux Délices Dessanges. In so doing they would certainly miss one of the most exciting discoveries of my travels down the Loire…” Frantically I tried to remember whether I had told him about Yannick. “Behind the unpretentious façade of a country farmhouse a culinary miracle is at work.” A great deal of nonsense followed about “country traditions given a new lease of life by this lady’s creative genius”-impatiently, with a rising sense of panic I scanned the page for signs of the inevitable. A single mention of the name Dartigen and all my careful building work might begin to crumble…
It may seem I’m exaggerating. I’m not. The war is vividly remembered in Les Laveuses. There are people here who still don’t speak to each other. Denise Mouriac and Lucile Dupré, Jean-Marie Bonet and Colin Brassaud. Wasn’t there that business in Angers a few years ago, when an old woman was found locked in a room above a top-floor flat? Her parents had shut her there in 1945, when they found out she’d collaborated with the Germans. She was sixteen. Fifty years later they brought her out, old and mad, when her father finally died.
And what about those old men-eighty, ninety, some of them-locked away for war crimes? Blind old men, sick old men sweetened by dementia, their faces slack and uncomprehending. Impossible to believe that they might once have been young. Impossible to imagine bloody dreams inside those fragile, forgetful skulls. Smash the vessel, the essence evades you. The crime takes on a life-a justification-of its own.
“By a strange coincidence, the owner of Crêpe Framboise, Mme. Françoise Simon, just happens to be related to the owner of Aux Délices Dessanges…”
My breath stopped. I felt as if a flake of fire had blocked my windpipe and suddenly I was underwater, brown river clutching me under, fingers of flame reaching into my throat, my lungs…
“…our very own Laure Dessanges! Strange to say that she hasn’t managed to find out many of her aunt’s secrets. I for one much preferred the unpretentious charm of Crêpe Framboise to any of Laure’s elegant (but all too meager!) offerings.”
I breathed again. Not the nephew, but the niece. I had escaped discovery.
I promised myself then that there would be no more foolishness. No more talking to kind food writers. A photographer from another Paris magazine came to interview me a week later, but I refused to see him. Requests for interviews came by the post, but I left them unanswered. A publisher wrote to me with an offer to write a book of recipes. For the first time Crêpe Framboise was deluged by people from Angers, by tourists, by elegant people with flashy new cars. I turned them away by the dozen. I had my regulars, my ten to fifteen tables. I could not accommodate so many people.
I tried to behave as normally as I could. I refused to take advance bookings. People queued on the pavement. I had to engage another waitress, but otherwise I ignored the unwelcome attention. Even when the little food writer returned to argue-to reason with me-I would not listen to him. No, I would not allow him to use my recipes in his column. No, there was to be no book. No pictures. Crêpe Framboise would stay as it was, a provincial crêperie.