The Rascally Romance (in a single helluva-long letter about a flicking-short life) - стр. 165
For switching TV channels you turned clockwise or counter it the biggest knob under the screen, it clicked and moved to the next of the fourteen positions. However, in the afternoon both the Central Television and Konotop TV Studio showed the same mute tuning circle, while to switching the knob outside those two channels the tube responded by an unbearable sizzling noise and jumping streaks of white against coarse-grained “snow” background.
And (returning to the available two channels) every day at 3 pm., the technicians at Konotop TV Studio switched on some music for about 30 minutes or so: “The Nocturne” by Tariverdiyev, the hits of Valery Obodzinsky or Larissa Mondrus served a soundtrack for the irreplaceable fine-tuning circle. We—Sasha, Natasha, and I—always switched the TV on at that time to have some music in the khutta though the tape-recorded numbers changed rarely if ever at all, and we knew beforehand which record would follow this or that particular song…
Besides, Konotop then was flooded with a wealth of indie radio stations that went on air in the MW range. There was both “The King of the Cemetery” and “Caravel”, and whichever name an independent guy would choose to call his underground station. They all had a common weak point though, which was their irregularity. You had no idea when to switch the receiver on so that to hear, “Hello to all, the radio station "Jolly Stickman” is now on air. Who hears me, confirm…” And he would put on the hoarsely roaring Vysotsky’s songs about the Archer who disgraced the Czar, or how we shoot thru the time in a spaceship, or about a dolphin’s belly ripped open by the boat propeller…
At some point, the radio station “Charming Nina” would cut into the broadcast and begin to point out to "Jolly Stickman” that he had sat on another guy’s wavelength, and that “Charming Nina” had been airing in that particular length for no less than a week. Little by little, they developed a quarrel: “Hey, you! Don’t swell too much! Look out, if I catch you in City you’ll have two blobs in place of your ears!”
“Easy, mini-Willie! Who do you roll a barrel against? Haven’t leaked into your pants wet for a whole week?”
“The more you rant the more you’ll weep!”
“Close it up!”
Yet, they never switched over to four-letter words.
Father claimed that even our radio set could be readily converted into such a station, smooth and easy, if only there was a microphone. However, my and Skully’s wheedling of him the mentioned conversion, and we’d sure get a mike somewhere, met his downright refusal because it was radio hooliganism, and special vehicles were stalking the city to track those hooligans down, and fine them, and confiscate all the radio equipment from their khuttas, down to the TV box. We didn’t want to stay without our TV, didn’t we?
At times, the radio-hooligans instead of wished-for Vysotsky's songs entered into endless negotiations about who had which capacitor and which diodes he’d trade it for. Finally, they agreed to meet in Peace Square.
“How’d I know you?”
“Don’t worry. I know you. I’ll come up.”
And so we fell back to the TV tuning circle and listened, for the hundredth time, the same, yet more reliable, Obodzinsky…
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