Шоколад / Chocolat - стр. 61

March wind’s an ill wind, my mother used to say. But in spite of that it feels good, smelling of sap and ozone and the salt of the distant sea. A good month, March, with February blowing out of the back door and spring waiting at the front. A good month for change…

For five minutes I stand alone in the square with my arms held out, feeling the wind in my hair. I have forgotten to bring a coat and my red skirt billows out around me. I am a kite, feeling the wind, rising in an instant above the church tower, rising above myself. For a moment I am disorientated, seeing the scarlet figure below in the square, at once here and there – falling back into myself, breathless, I see Reynaud’s face staring out from a high window, his eyes dark with resentment. He looks pale, the bright sunlight barely grazing his skin with colour. His hands are clenched on the sill before him and his knuckles are the bleached whiteness of his face.

The wind has gone to my head. I send him a cheery wave as I turn to go back into the shop. He will see this as defiance, I know, but this morning I do not care. The wind has blown my fears away. I wave to the Black Man in his tower, and the wind plucks gleefully at my skirts. I feel delirious, expectant.

Some of this new courage seems to have infused the people of Lansquenet. I watch them as they walk to church, the children running into the wind with arms spread like kites, the dogs barking wildly at nothing, even the adults bright-faced, eyes streaming from the cold. Caroline Clairmont in a new spring coat and hat, her son holding her by the arm. For a moment Luc glances at me, gives me a smile hidden by his hand. Josephine and Paul Marie Muscat, arms entwined like lovers, though her face is twisted and defiant beneath her brown beret. Her husband glares at me through the glass and quickens his step, his mouth working. I see Guillaume, without Charly today, though he still carries the bright plastic lead dangling from one wrist, a forlorn figure oddly bereft without his dog. Arnauld looks my way and nods. Narcisse stops to inspect a tub of geraniums by the door, rubs a leaf between his thick fingers, sniffs the green sap. He is sweet-toothed in spite of his gruffness, and I know he will be in later for his mocha and chocolate truffles.

The bell slows to an insistent drone – domm! domm! – as the people make their way through the open doors. I catch another glimpse of Reynaud – white-cassocked now, hands folded, solicitous – as he welcomes them in. I think he looks at me again, a brief flicker of the eyes across the square, a subtle stiffening of the spine beneath the robe – but I cannot be sure.

I settle at the counter, a cup of chocolate in my hand, to await the end of Mass.

The service was longer than usual. I suppose that as Easter approaches Reynaud’s demands will become greater. It was over ninety minutes before the first people emerged furtively, heads bowed, the wind tugging impudently at headscarves and Sunday jackets, ballooning under skirts in sudden salaciousness, hurrying the flock across the square. Arnauld gave me a sheepish smile as he passed; no champagne truffles this morning. Narcisse came in as usual, but was even less communicative, pulling a paper out of his tweed coat and reading it in silence as he drank. Fifteen minutes later half the members of the congregation were still inside, and I guessed they must be awaiting confession. I poured more chocolate and drank. Sunday is a slow day. Better to be patient.